Friday, April 25, 2014

The Story of Ra and Nut (Podcast)

Audio Myths


Today I've begun to create a series of videos over some of the many myths in Egyptian Mythology. Clicking on the link to each story will send you to the video, where you can sit back and listen to the myths of Ancient Egypt. Alternatively, I've included the transcripts for the videos so you can read the myths too.


The Story of Ra and Nut



Ra was ruler of all of Heliopolis and was proud of his throne. He knew that only another God could usurp his throne and none of the existing gods would dare to challenge him. However, the Goddess Nut had become pregnant.  Ra found out the Nut was going to have children and fearing that one of them would usurp his throne he decried that Nut would be forbidden from having children on any day of the year. Nut refused to sit idly by though and went to Thoth, the God of Wisdom, for assistance. Thoth was incredibly clever and quickly thought of a plan to help Nut. He went to Khonshu, the God of the Moon, and challenged him to a game of gambling. Khonshu agreed and wagered some of his moonlight on the game. Thoth used his superior cunning to win against Khonshu over and over again. Each time Khonshu lost he gave Thoth a little of his moonlight as winnings. Eventually Thoth had enough moonlight to go through with his plan. At this time the year was only 360 days long. Thoth used the moonlight he'd won to create five extra days that were not part of the year so that Nut could have her children.
 



Friday, April 18, 2014

The Duat



 The Duat


The Egyptian afterlife existed in a singular placed called the Duat, or Realm of the Dead. The Duat was an ethereal world that supposedly mirrored the geography of the real world. The Duat had rivers, hills and other normal landmarks as well as supernatural ones such as lakes of fire or jade trees.

It was believed that the souls who inhabited the realm could enter and leave it through their graves. A soul could enter our world by passing from the Duat, into its grave and out into the world.

To reach the Realm of the Dead and live in eternal peace new souls had to navigate their way to Osiris’ domain in the Duat. To reach Osiris, souls had to pass through twelve gates guarded by evil spirits. The realm was also stalked by the serpent Apophis who attempted to devour the sun each night when Ra carried it through the Underworld.

The Egyptian Book of the Dead



 The Egyptian Book of the Dead


The Egyptians were a culture that did not regarded death with fear or apprehension. They accepted death as a necessary process and saw the afterlife as a simple continuation of their existence.  Because the Egyptians had so many Gods related to death and the afterlife, they had a lot of myths and beliefs surrounding the world beyond death.  Naturally, the Egyptians developed many rituals to help ease a soul’s passing into the afterlife.

One of the lesser known tools given to those buried in Egyptian culture was the Book of The Dead. The book of the dead was a collection of manuscripts that provided a passing soul all of the information needed to navigate the afterlife. Traditionally, the Book of the Dead was given only to deceased pharaohs but later iterations were sold to wealthy citizens.

What Was In The Book of the Dead?

It is difficult to narrow down what exactly the texts in the Book of the Dead were. There is no single Book of the Dead. Instead, there are many different variations and selections each with their own take on how to proceed to the afterlife. Generally, the Book’s contents were a collection of spells, maps, stories or instructions for use in overcoming the many challenges in the afterlife (Ellis, 1988).

What Did The Book of the Dead Look Like?

The Book of the Dead took many forms depending on the person is for. Most commonly, it was painted or carved as a series of hieroglyphs on the walls of a tomb. It has also been found to be carved on the inside lid of sarcophagi or written on scrolls and placed with other treasures inside the tomb. It was rare that a uniform or common form of the Book was made or used (Ellis, 1988).


Sources:


Ellis, N. (1988). Awakening Osiris: A New Translation of the Egyptian Book of the Dead. Boston, MA:       Phanes Press

 

Friday, April 11, 2014

Interview with Dalton Parker

The following is an interview with Dalton Parker, a colleague from Mississippi who's interest in mythology has led him to be incredibly knowledgeable in the subject. He was kind enough to answer a few question about his thoughts on Egyptian mythology.


Q: How long have you studied mythology?
A: A tough one. I've been interested in myths and legend for a long time, since at least age ten or so. I wouldn't call it studying, precisely, but I've certainly been reading and talking about them for years. If pressed, I'd peg eight years or so, but that makes it seem like I'm some sort of professional.

Q: What other Mythologies have you studied?
A: Most of the European based myths I've at least looked at. Of note are the ancient Greek and Norse myth systems, which I've given the most attention. I've also looked at some interesting bits of Slavic myths, mostly those about vampires. I know enough about Eastern European folklore to quote one Romanian folk-saying that always amused me: "Before you reach heaven, the saints will eat you." It references the idea that demons shall attempt to devour souls before they can reach... well, heaven. I enjoy the look on people's faces after I share that tidbit. I also know a decent amount about Sumerian myths.

Q: How do you think Egyptian Mythology differs from other mythologies you’ve studied?
A: If I wanted to be witty, I'd say something shallow, like the fact that many of the gods have animal heads. At least two of the major mythologies I've looked at feature the idea of the current gods having overthrown the older ones. This is almost always depicted the older gods as something more monstrous and primal- You can see this with the Jotun of Norse myths and the Titans of Greek ones. However, once these forces were conquered, the ruler-ship of the world never changed. Odin was never overthrown by his own children, nor was Zeus. The Egyptians, to my somewhat limited knowledge, lacked much of the idea of older, meaner gods ruling before the current ones. The various creation stories I've read about this feature, rather, the current crop of gods being the ones in charge. In at least one, they also have the overthrowing of the chief god Ra by the schemes of the goddess Isis. This itself sets it apart from many of the other stories I've read.

The Egyptians also placed, or seemed to place, a great deal of emphasis on death. Their most enduring monuments are tombs, and they have a book devoted wholly to instruct the dead on how to navigate the afterlife. Their anatomy of the soul is nothing like I've seen in any other mythology, with it's listing of the various parts.

Q: What are some of your personal views on Egyptian mythology as a whole?
A: I rather like it, though I, in all honesty, don't know as much about it as I would like.

Q: How do you feel about myths as a method for storytelling?
A: Myths are rich in themes and associations. It's often amazing how even long dead myths can still paint modern culture, like the twined serpents of the Caduceus attest.

Q: Do you believe that myths hold an educational value for people today? How?
A: Oh certainly. It's an amazing way of peeking into the lives and values of dead peoples. You can tell a lot about what a culture values by looking at their gods and culture-heroes. Look at the Egyptians- one of their former chief gods is now the god of the underworld, which nicely reflects how frankly they approach death. In other ways, you can trace many ideas and bits of folklore back to ancient times. The Egyptian concept of souls involves the idea that part of the soul is the Ren, or name. It can never die so long as someone still speaks it, or some of it exists. This reminds me very much of a little saying about you never truly die until you are forgotten.

Q: Why do you think that Egyptian Gods and myths feature animals so commonly?
A: Many gods are represented with, or associated with, particular animals. It's a trend so old that the origin is probably forgotten. The Egyptian gods were often considered to represent the aspect of realty they were associated with, like how the goddess Nut was considered not merely rule the sky, but to actually be it. So, perhaps, the animals that gods were associated with were considered to be, in some way, extensions of the gods themselves. Could be much more easy to appease a god if they're dwelling partially in something you can see and interact with.

Q: Egyptians, unlike some other cultures were not overly fearful of death as reflected in their myth.  Why do you believe this was?
A: They thought they had a good idea of what to expect. Most fear of death comes from fear of uncertainty. If you have a great deal of confidence in how thing are going, it becomes less of a possible end and more of a large shift in existing. Do the right things, follow the instructions, make sure you get buried properly, and you'll continue on in life without that much difficulty.

Q: Do you have a favorite myth or God from Egyptian mythology? Why?
A: Isis is a personal favorite. I have a certain weakness for conniving and devious female characters, and Isis certainly fits the bill. She manipulated her husband onto the throne of the gods, then brought him back from the grave, although incompletely, when he was murdered by his brother. After that, she made sure her son Horus could assume the throne. This cunning and touch of magic is something I find really interesting.

Interview with Randy Smith



The following is an interview with Randy Smith, a student in Florida who has spent a great deal of time researching and studying mythology out of interest. I was able to interview him about his thoughts on Egyptian Mythology.
 

Q: How long have you studied mythology? 
A: I've done independent reading and research ever since the fifth grade, when I was 10. That would put me at 12 years.

Q: What other Mythologies have you studied?  
A: Greek, Roman, Norse, Slavic, Australian, African, Hindu, Native American, etc. Whatever mythology I can get my hands on, really. The stories are all fascinating.

Q: How do you think Egyptian Mythology differs from other mythologies you’ve studied?
A: Egyptian  Mythology seems, at least from my experience, much less protracted. The myths are much shorter. Though, this may simply be due to the fact that I have yet to read a body of Egyptian myth so interconnected as Hesiod's Theogony for the Greeks. Egyptian myths depict the gods' personality and significance, you know what to expect from each, but there isn't much in-between without a little extra-added on by translators. Also, I haven't seen any mortal heroes to speak of. All of their tales seem to deal directly with the gods themselves.

Q: What are some of your personal views on Egyptian mythology as a whole? 
A: It's fascinating. Very fun stuff to delve into. Less filler than many other myths I've read, so you get down to what seems to be the real purpose of the myth in the first place; to explain certain natural and social phenomena in the world. My only complaint is my difficulty with finding more of the stories to collect; I've read up on certain deities, spirits and creatures aside from the main ones (such as the creature Sak, with the head of a falcon, the body of a leopard and a tail ending in a lotus bloom), but not many of them besides the gods themselves actually show up with significant functions in any surviving myths I've found to date.

Q: Egyptian myths are notoriously confusing due to differing accounts throughout their history. What is your opinion on the often varied and competing versions of Egyptian myths? 
A: Every mythology, cult and surviving religious belief system seems to have variations on what they believe is true. Different parts of Greece placed heavier emphasis on different gods, and likewise different parts of Egypt interpreted stories in different ways. It happens, and it shouldn't disconcerting or confusing; rather, as a fan of the sci-fi and fantasy genres, I find the idea of alternate realities intriguing.

Q: Do you believe that myths are an effective means of storytelling? Why? 
A: Of course. In creating a myth, you introduce a character or a set of characters, and cast them into some prodigious situation--freeing the sword from the stone, navigating the labyrinth, slaying the rakshasas, etc. You may not be able to relate directly to their struggles (for, certainly, you've never had to face a Gorgon in your life), but sometimes you can relate to the feelings that such tasks evoke, whether that feeling be the exultation of adventure, or trepidation at the daunting task that lies ahead. And even if you can't relate, everybody likes a role model to look up to, enjoys the villain who takes the overconfident hero down a peg, and fancies the trickster who bests far stronger opponents with his wit instead of his muscle. Not only is mythology an effective means of telling a story... I would be hard-pressed to find a more effective means of storytelling than mythology.

Q: In your own opinion, do you believe that people today can learn from mythology and how?  
A: Definitely. People through the ages have very broad wants, needs, concerns and interests that ring true throughout the ages. They wonder about their place in the world. They wonder if what they're doing is right. They wonder where to find people who are like-minded, to whom they can relate. They wonder how to deal with people who are different from them, or how to deal with situations that seem impossible to handle. All these issues and more are addressed by mythology, in a way that plain-out lecturing or pep talks simply don't accomplish.

Q: Do you have a favorite myth or God from Egyptian mythology? Why? 
A: I have to say, from what I've read, I like Thoth the best. He's clever and wise, and those are always the makings of an adventure right there. And as a writer myself, his mythical invention of writing certainly bumps him up on my list. Not to mention, he's not particularly good or evil, only balanced. This puts him into a moral grey area that is very versatile for a story. He is a philosopher, but also a politician; a scientist, but also a magician; an astronomer, but also an astrologer. His combination of the good and the bad, the rhetorical and the lyrical, the mundane and the supernatural, makes him undoubtedly among the most interesting of all.